Eulalia Ayguade
Rasmus Ölme
Thierry Baë
Douglas Becker
Anne-Marie Blink
Benjamin Boar
Tobiah Booth-Remmers
Dominique Duszynski
Ernesto Edivaldo
Leif Firnhaber
Ori Flomin
Jozef Frucek
Cassiel Gaube
Renate Graziadei
Lance Gries
Julyen Hamilton
Saju Hari
Robert Hayden
Milan Herich
David Hernandez
Roxane Huilmand
Peter Jasko
Hun - Mok Jung
Linda Kapetanea
Matej Kejzar
Martin Kilvady
Kurt Koegel
Anton Lachky
First Name Last Name
Tijen Lawton
Susanne Linke
Renan Martins de Oliveira
Cruz Isael Mata
Piergiorgio Milano
Marielle Morales
Thi-Mai Nguyen
Claire O'Neil
Janet Panetta
Chrysa Parkinson
Shi Pratt
Sten Rudstrom
Arthur Stäldi
Rakesh Sukesh
Milan Tomášik
Armand van den Hamer
Céline van der Haegen
Shosha van Kranendonk
Alexander Vantournhout
Sun Xiao Jun

Marielle Morales

Marielle Morales is formed in the Contempory Dance Conservatory of Bordeaux (first prize in 1996). After her graduation, she joins the Cie Provisional Danza in Madrid for 3 years and then worked in Barcelona with the Cies Sol Pico, Lapsus, Siamb Collective, Ziklo Efe.
She investigates improvisation and contact, bioenergetic, yoga, Body-Mind Centuring and Skinner Releasing. She performs in Belgian creations of Pierre Droulers, Fré Werbrouk, Thierry de Mey, Lise Vachon, Stefan Dreher and Michèle Noiret.
As a choreographer, she creates solos and group
performances since 2000.
In 2004, she founds her own company: Mala Hierba.
Marielle Morales teaches regularly in Belgium (La Raffinerie/Charleroi- Danses, DansCentrumJette, Studio Hybrid, RITS and trains NeedCompany and Michèle-Anne de Mey Company), in Spain (International Festival of Dance Contact of Barcelona, Festival Delt’Ebre), in France (Academies, Lullaby Danza Project, Université des Arts de Bordeaux, CDC of Toulouse), in Tunisia (Center Hamsa VI), in Netherlands ( Performing Art Shool of Arnhem), in Costa Rica (in High Academy El Barco).)T

In order to find the most complete availibility, the class always starts with a specifical exploration, mix of several tendencies like BMC or Skinner Releasing .
Then the link with physical work and movement appears and slides into FloorWork, where we discover natural ways to dance and « be danced ».
A special attention to the different qualities of movement, the energy and fluidity, playing with balance, gravity, supports and natural impulse supported by breath and dynamic.