Eulalia Ayguade
Rasmus Ölme
Thierry Baë
Douglas Becker
Anne-Marie Blink
Benjamin Boar
Tobiah Booth-Remmers
Dominique Duszynski
Ernesto Edivaldo
Leif Firnhaber
Ori Flomin
Jozef Frucek
Cassiel Gaube
Renate Graziadei
Lance Gries
Julyen Hamilton
Saju Hari
Robert Hayden
Milan Herich
David Hernandez
Roxane Huilmand
Peter Jasko
Hun - Mok Jung
Linda Kapetanea
Matej Kejzar
Martin Kilvady
Kurt Koegel
Anton Lachky
First Name Last Name
Tijen Lawton
Susanne Linke
Renan Martins de Oliveira
Cruz Isael Mata
Piergiorgio Milano
Marielle Morales
Thi-Mai Nguyen
Claire O'Neil
Janet Panetta
Chrysa Parkinson
Shi Pratt
Sten Rudstrom
Arthur Stäldi
Rakesh Sukesh
Milan Tomášik
Armand van den Hamer
Céline van der Haegen
Shosha van Kranendonk
Alexander Vantournhout
Sun Xiao Jun

Renan Martins de Oliveira

Renan Martins started his education in Rio de Janeiro at Deborah Colker Movement Center at the age of 16, and one year later won a full scholarship to study at SEAD in Salzburg, Austria. In 2010 he joined P.A.R.T.S. (Performing Arts Research and Training Studios) to be part of the Research Cycle where he focused more intensively on choreography and started developing his own work. He has performed his pieces in Brazil, Austria, Slovenia, Germany, Holland, Portugal, Russia, Belgium and Croatia. Along with his choreographic practice he has also been an interpreter for Iztok Kovac, Marysia Stoklosa and Pierre Droulers. He has been an active teacher in the last couple of years giving workshops and master classes at DanseCentrumJette and Cie Thor Studio in Brussels, SIBA in Salzburg, Theatre de La Bastille in Paris, Codarts in Rotterdam, Munich's University of Drama, ME-SA in Prague, DOCH in Stockholm and Artesis/Conservatory of Antwerp where he has been also a jury member of the committee. Renan is currently a performer in Re:Zeitung, a project by Anne Teresa de Keersmaeker and Alain Franco together with P.A.R.T.S. Foundation and a member of Meg Stuart/Damaged Goods Company as performer in
This year he will direct a creation in collaboration with ME-SA Company in Prague. And as of September 2014 Renan joined the team of SeventySeven together with other artists such as Les Slovaks, Anton Lachky, Moya Michael, Meytal Blanaru and Peter Jasko, where his work will be represented.

“Technically we will work with 3 centers of gravity (head, rib cage and pelvis ). These centers shift as one moves and are able to work separately from each other in rhythm and quality . The awareness of these centers is a chance to have a present body which does not leave anything behind when asked to move with urgency and in response to everything that surrounds it.
The aim of the class is to create a multidimensional body that is open and available to experience new movement patterns and a clear interaction with the others and the room . We will be working with the body as channel for communication and storage of memories, emotions, energy . After working with all these different information my hope is to question form, as such . How can we let it be a result of intention rather than pure manifestation of a technical body? ”